Foneis Tou Kosmou EP

Snap-9A

Robert Pain

El Bosco

Armatura Records

Foneis Tou Kosmou   (Original Mix)

Foneis Tou Kosmou  

Foneis Tou Kosmou (Robert Pain Remix)

Foneis Tou Kosmou(Robert Pain Remix) by Snap-9A, Robert Pain

Foneis Tou Kosmou

Prophetia   (Original Mix)

Prophetia  

Prophetia (El Bosco Remix)

Prophetia(El Bosco Remix) by Snap-9A, El Bosco

Prophetia

Daily Episode EP

H.Paul 

Structural Form

Against Commercial

The End

Daily Episode

Eau De Bas

Blue Chords

MisaSuni

"I beg to differ there are multiple states of 𝘉𝘭𝘶𝘦 filtered and swirled through endless 𝘊𝘩𝘰𝘳𝘥𝘴 of perception"- MisaSuni



"I beg to differ there are multiple states of 𝘉𝘭𝘶𝘦 filtered and swirled through endless 𝘊𝘩𝘰𝘳𝘥𝘴 of perception"- MisaSuni

Raving Molecules

Blue Chords - emaster-V2 (Original Mix)

Blue Chords - emaster-V2

Prudencia

Iva Olo

The latest instrumental electronic bass release, in a long line of musical diversity - authentic, genuine, independent. The percussion is my thermos bottle and the "kick drum" is me punching my own chest lol. I wouldn't believe it either! Enjoy the listen! One love

p.s. inspired by Ancestrall downtempo tracks though it is not so similar. 

The latest instrumental electronic bass release, in a long line of musical diversity - authentic, genuine, independent. The percussion is my thermos bottle and the "kick drum" is me punching my own chest lol. I wouldn't believe it either! Enjoy the listen! One love
p.s. inspired by Ancestrall downtempo tracks though it is not so similar.

Prudencia (Original Mix)

Techno To Hardtechno Vol.1

Dragon Hoang

Dragon Hoang from Techno to Hardtechno on tracks. 

Dragon Hoang from Techno to Hardtechno on tracks.

Techno To Hardtechno Vol.1 by Dragon Hoang

Hardtechno Weed (Original Mix)

Hardtechno Weed(Original Mix) by Dragon Hoang

Hardtechno Weed

Schranz Gang (Original Mix)

Schranz Gang(Original Mix) by Dragon Hoang

Schranz Gang

Valery Love Schranz (Original Mix)

Valery Love Schranz(Original Mix) by Dragon Hoang

Valery Love Schranz

Wormhole 2K20 (Original Mix)

Wormhole 2K20(Original Mix) by Dragon Hoang

Wormhole 2K20

Stay Groove One (Original Mix)

Stay Groove One(Original Mix) by Dragon Hoang

Stay Groove One

Real Techno (Rework)

Real Techno

KPPT

JLuna

Back from Tomorrowland and this was already the anthem. A group of friends and a video that gave us laughter and energy. This is KPPT. If you know Spanish, you'll know what is says.

Back from Tomorrowland and this was already the anthem. A group of friends and a video that gave us laughter and energy. This is KPPT. If you know Spanish, you'll know what is says.

KPPT (Original Mix)

Electroclash Complextro compendio

NO PERDITEMPO

 TECNO RAWSTYLE WITH RAW EXPERIMENTAL art RAP! energetic, female vocals, dense, DIY, manic, anxious, rhythmic, repetitive

TECNO RAWSTYLE WITH RAW EXPERIMENTAL art RAP! energetic, female vocals, dense, DIY, manic, anxious, rhythmic, repetitive

Electroclash Complextro compendio by NO PERDITEMPO

Ombra Smoky

Camilla-Girenella-il-magico-e-il-fantastico

Camilla-Girenella-il-magico-e-il-fantastico by NO PERDITEMPO

Electromanipulation

OSSIPOvideoplayback-_1_ (Original Mix)

OSSIPOvideoplayback-_1_

Shrines

Homma Honganji

Homma returns to CDXL.

Opening the EP with a pretty brutal tribal track, Kumakabuto Arakashihiko pulls no punchs to get your blood pumping.
and if you prefer to simply lock on and zone out, Inahachikonten will certainly help you along the way.

We hope you enjoy.

Homma returns to CDXL.
Opening the EP with a pretty brutal tribal track, Kumakabuto Arakashihiko pulls no punchs to get your blood pumping.
and if you prefer to simply lock on and zone out, Inahachikonten will certainly help you along the way.
We hope you enjoy.

Corrupted Data XL

Inahachikonten (Original Mix)

Inahachikonten

Kumakabuto Arakashihiko (Original Mix)

Kumakabuto Arakashihiko by Homma Honganji

Kumakabuto Arakashihiko

World In Crimson

Offish

Forgiven Soul

No_Name

K3Bee

• TRIBAL SPIRIT starts out with slow, hypnotic percussions, evolving and building up until it peaks at the very end.
• FROZEN PATH stands out as highlight of the release with its prominent midrange stabs that laid foundations for the whole track to be built upon, together with dramatic female vocals reverberating behind the synths.
• MUTAGEN TANKS has noticeably increased tempo and introduces different approach to basses - periodic, loud screeches tearing through entire frequency spectrum in between sharp, driving drums.
• OUT OF DARKNESS is straight-to-the-point amen break action, hinting more at modern jungle track rather than drum & bass.
• THE ORDER OF WHISPERS was the first project we worked on together and instantly decided to follow up with more tracks.
• WORLD IN CRIMSON at its core is an odd mixture of samples from older drum & bass, hip-hop and reggae tunes, transforming them all into a new, cohesive piece.
• INVERSE ELEMENT temporarily eases out the pace with less aggressive halftime drums, focusing more on enhancing the general mood of the album.
• POSSESSED BODIES jumps between different patterns, switching from usual two step beat to freeform jungle rhythms over period of just few bars.
• FROZEN PATH REMIX takes alternative route from source track, steering it into territory of glitched out drums and uneven rhythms. The main synth pattern gets also replaced with fresh new sounds.
• OUT OF DARKNESS REMIX is brilliant showcase of Rez's mastery at working with breakbeats and being able to transform the mood of original into something even more sinister and unpredictable.
• THE ORDER OF WHISPERS REMIX focuses primarily on pushing the drums to their limit with multiple intricate layers stacked on top of each other.
• WORLD IN CRIMSON REMIX reworks the title track completly into bassdrum-driven halftime tune with less focus on midrange basses.
• ISOMETRA is something experimental and eclectic we decided to include as the last track on the album.

• TRIBAL SPIRIT starts out with slow, hypnotic percussions, evolving and building up until it peaks at the very end.
• FROZEN PATH stands out as highlight of the release with its prominent midrange stabs that laid foundations for the whole track to be built upon, together with dramatic female vocals reverberating behind the synths.
• MUTAGEN TANKS has noticeably increased tempo and introduces different approach to basses - periodic, loud screeches tearing through entire frequency spectrum in between sharp, driving drums.
• OUT OF DARKNESS is straight-to-the-point amen break action, hinting more at modern jungle track rather than drum &amp; bass.
• THE ORDER OF WHISPERS was the first project we worked on together and instantly decided to follow up with more tracks.
• WORLD IN CRIMSON at its core is an odd mixture of samples from older drum &amp; bass, hip-hop and reggae tunes, transforming them all into a new, cohesive piece.
• INVERSE ELEMENT temporarily eases out the pace with less aggressive halftime drums, focusing more on enhancing the general mood of the album.
• POSSESSED BODIES jumps between different patterns, switching from usual two step beat to freeform jungle rhythms over period of just few bars.
• FROZEN PATH REMIX takes alternative route from source track, steering it into territory of glitched out drums and uneven rhythms. The main synth pattern gets also replaced with fresh new sounds.
• OUT OF DARKNESS REMIX is brilliant showcase of Rez's mastery at working with breakbeats and being able to transform the mood of original into something even more sinister and unpredictable.
• THE ORDER OF WHISPERS REMIX focuses primarily on pushing the drums to their limit with multiple intricate layers stacked on top of each other.
• WORLD IN CRIMSON REMIX reworks the title track completly into bassdrum-driven halftime tune with less focus on midrange basses.
• ISOMETRA is something experimental and eclectic we decided to include as the last track on the album.

Offish Productions

World In Crimson by Offish, Forgiven Soul

Tribal Spirit

Frozen Path

Mutagen Tanks

Out Of Darkness

The Order Of Whispers

The Order Of Whispers by Offish, Forgiven Soul

Inverse Element

Possessed Bodies

Possessed Bodies by Offish, Forgiven Soul

Out Of Darkness (Rez Remix)

Out Of Darkness(Rez Remix) by Forgiven Soul, Offish, Rez

Frozen Path (No_Name Remix)

Frozen Path(No_Name Remix) by Forgiven Soul, Offish, No_Name

The Order Of Whispers (K3Bee Remix)

The Order Of Whispers(K3Bee Remix) by Forgiven Soul, Offish, K3Bee

World In Crimson (Offish Remix)

World In Crimson(Offish Remix) by Offish, Forgiven Soul

Isometra

Aleluya

Juls  Roka

Aleluya (Original Mix)

TWD 007: Protean Sound - Tribal/UK Funky

Protean Sound

The tune of the summer "Make Me" gets a driving percussive rework.
Thunder completes the EP as a bass heavy carnival club track.

The tune of the summer "Make Me" gets a driving percussive rework.
Thunder completes the EP as a bass heavy carnival club track.

Those Who Dance

TWD 007: Protean Sound - Tribal/UK Funky by Protean Sound

Make Me (Protean Sound Edit)

Make Me(Protean Sound Edit) by Protean Sound

Make Me

Thunder (Original Mix)

Thunder

Plot Holes Vol. 1

Evasion

Dreadmaul

Art Cuebik

Spiritual Voices

Elizar Mel

Laytn

Conman

TRC2

88 Katanas

The Faraday

Attempt

Wrong Dome

F0cal Point

• THE BLACK HAUNTED SWAMP opens the compilation with its ominous voodoo atmosphere.
• IMAGINE gets to action instantly with hard-hitting breakbeats, ruthlessly pushing forward until the end. The track is built just like oldschool drum & bass used to sound like.
• SHAMAN is a gritty piece of work inspired by the sounds of No U-Turn, Renegade Hardware, Technical Itch, and the “calling” process endured by shamans during their initiation.
• BULLET sounds like a fierce chase through dimly lit backstreets in a futuristic metropolis.
• EKIBYŌ is Japanese word that translates directly to "plague" or "pestilence". A fitting name to portray the menacing atmosphere with throbbing bassline and steppy drums accompanied by faint, detuned samples of real life instruments.
• REALISE focuses primarily on the short midrange bass sweeps and minimalistic approach, sparingly adding new elements to the arrangement.
• SYNTHETIC FLESH is a fast-paced percussion driven two-step piece, inspired by a little known electro track with same title.
• FACING THE VOID was an attempt to write something aimed at the dancefloor. The drums are a lot straighter than TRC normally makes and form the driving force behind the song.
• XENOSHADOWMORPH - much the title suggests, an angular exoskeleton of metallic percussion supports a biomechanical system of morphing, acidic midrange.
• MUSIC IS FREQUENCY takes step into different direction - creatively transforms and mangles breakbeats in true jungle fashion.
• TURNING POINT was born from going through thousands of audio files and soundscapes taken from various video games.
• DRIVE YOUR PLOW - sometimes titles feel important, sometimes they’re a distraction. This track was inspired by a book that matched the dark ambiance.
• RAMPART doses halftime action in short, intense bursts. The track stands out thanks to sharp, synthesized percussions and offbeat drum patterns.
• DIABLERIST has been written during the hot summer nights in Brno as a collaborative effort.

• THE BLACK HAUNTED SWAMP opens the compilation with its ominous voodoo atmosphere.
• IMAGINE gets to action instantly with hard-hitting breakbeats, ruthlessly pushing forward until the end. The track is built just like oldschool drum &amp; bass used to sound like.
• SHAMAN is a gritty piece of work inspired by the sounds of No U-Turn, Renegade Hardware, Technical Itch, and the “calling” process endured by shamans during their initiation.
• BULLET sounds like a fierce chase through dimly lit backstreets in a futuristic metropolis.
• EKIBYŌ is Japanese word that translates directly to "plague" or "pestilence". A fitting name to portray the menacing atmosphere with throbbing bassline and steppy drums accompanied by faint, detuned samples of real life instruments.
• REALISE focuses primarily on the short midrange bass sweeps and minimalistic approach, sparingly adding new elements to the arrangement.
• SYNTHETIC FLESH is a fast-paced percussion driven two-step piece, inspired by a little known electro track with same title.
• FACING THE VOID was an attempt to write something aimed at the dancefloor. The drums are a lot straighter than TRC normally makes and form the driving force behind the song.
• XENOSHADOWMORPH - much the title suggests, an angular exoskeleton of metallic percussion supports a biomechanical system of morphing, acidic midrange.
• MUSIC IS FREQUENCY takes step into different direction - creatively transforms and mangles breakbeats in true jungle fashion.
• TURNING POINT was born from going through thousands of audio files and soundscapes taken from various video games.
• DRIVE YOUR PLOW - sometimes titles feel important, sometimes they’re a distraction. This track was inspired by a book that matched the dark ambiance.
• RAMPART doses halftime action in short, intense bursts. The track stands out thanks to sharp, synthesized percussions and offbeat drum patterns.
• DIABLERIST has been written during the hot summer nights in Brno as a collaborative effort.

The Black Haunted Swamp

Imagine

Shaman

Bullet

Ekibyō

Realise

Synthetic Flesh

Facing The Void

Xenoshadowmorph

Music Is Frequency

Turning Point

Drive Your Plow

Rampart

Diablerist

Star Dog EP

F.Tek

This one is a HELL of a DRUG !!!
HARDGROOVE BABY ;)

THANKS FOR SUPPORTING MY MUSIC

This one is a HELL of a DRUG !!!
HARDGROOVE BABY ;)
THANKS FOR SUPPORTING MY MUSIC

Onil (Original Mix)

Onil

Star Dog (Original Mix)

Star Dog

Underrated (Original Mix)

Underrated

Drunk Fish EP

The first one from TECHNOBULB is now OUT !
Get this AMAZING hardgroove techno EP from F.Tek and improve you´re sets lound and BANGING !

THANKS FOR SUPPORTING MY MUSIC:
F.

The first one from TECHNOBULB is now OUT !
Get this AMAZING hardgroove techno EP from F.Tek and improve you´re sets lound and BANGING !
THANKS FOR SUPPORTING MY MUSIC:
F.

Drunk Fish (Original Mix)

Drunk Fish

Símios (Original Mix)

Símios

The Last Ones

Introducing CDXL. A side label to accompany releases on Corrupted Data. These releases will feature release with a more Hardgroove and Funky Techno vibe.

Up first is F.Tek & Homma Hongangi. Teaming up to deliver 3 excellent slices of music.

The Last Ones is carnival vibed Hardgroove with a catchy vocal loop over driving, rhythmic percussion.

Regardless offer more outstanding drum work with incredible tripped up kicks and rolling groove.

That's Alright is a proper funky vibe to it. Maintaining the feel of the whole EP and still offering something slightly different.

Kicking things off in style and there is more to come!

Introducing CDXL. A side label to accompany releases on Corrupted Data. These releases will feature release with a more Hardgroove and Funky Techno vibe.
Up first is F.Tek &amp; Homma Hongangi. Teaming up to deliver 3 excellent slices of music.
The Last Ones is carnival vibed Hardgroove with a catchy vocal loop over driving, rhythmic percussion.
Regardless offer more outstanding drum work with incredible tripped up kicks and rolling groove.
That's Alright is a proper funky vibe to it. Maintaining the feel of the whole EP and still offering something slightly different.
Kicking things off in style and there is more to come!

The Last Ones (Original Mix)

Regardless (Original Mix)

Regardless

That's Alright (Original Mix)

That's Alright

Destined To Fall

Offish's fourth solo album, focusing primarily on leaving comfort zone and trying out different genres.

• BLEAK DAWN is actually the first track I made for this release. I was aiming to create something in the vein of intro from "Garden Of Eyes" album using more acoustic instruments and adding more swing to the drums.
• DESTINED TO FALL is my most complex project so far. Instantly recognizable thanks to acid arpeggios and three distinct drops with shifting moods, each one with different drums and rhythms.
• CULTIST VIP - a fresh take on my piece from 2019, much more raw and aggressive compared to rest of the tunes here. The VIP version of other track from same release - "Vile", was featured on my previous album.
• ANJANATH borrows its name from Monster Hunter franchise. The unusual and hypnotic pace makes it feel almost like a techno track. A soundtrack to solitary, unfriendly place.
• STILL LIFE shifts the tone to more melancholic side and keeps it through entire length. It stands out among other tracks with rich palette of pads and progressive, evolving drums.
• REGRESSION carries sorrow from previous track while serving as transition into next segment of the release.
• SOURCE OF MENACE is characterized by wide, lush synths playing in the intro and bridge between drops. The track focuses on intense barrage of techstep drums, accompanied by retro rave stabs. Short and straight to the point.
• FLOODWATERS slows down to 140 BPM and explores the world of dubstep. With this track, I show my appreciation to one of the genres that inspired me the most.
• BROKEN BONDS is bright and relaxing piece meant to contrast with rest of the album. I took inspiration from various atmospheric jungle releases and sprinkled this project with a bit more melodic content than I usually do.
• WOUNDING WORDS - another trip-hop piece and a continuation of the moody concept from the intro, utilizing slightly different set of instruments. 

Offish's fourth solo album, focusing primarily on leaving comfort zone and trying out different genres.
• BLEAK DAWN is actually the first track I made for this release. I was aiming to create something in the vein of intro from "Garden Of Eyes" album using more acoustic instruments and adding more swing to the drums.
• DESTINED TO FALL is my most complex project so far. Instantly recognizable thanks to acid arpeggios and three distinct drops with shifting moods, each one with different drums and rhythms.
• CULTIST VIP - a fresh take on my piece from 2019, much more raw and aggressive compared to rest of the tunes here. The VIP version of other track from same release - "Vile", was featured on my previous album.
• ANJANATH borrows its name from Monster Hunter franchise. The unusual and hypnotic pace makes it feel almost like a techno track. A soundtrack to solitary, unfriendly place.
• STILL LIFE shifts the tone to more melancholic side and keeps it through entire length. It stands out among other tracks with rich palette of pads and progressive, evolving drums.
• REGRESSION carries sorrow from previous track while serving as transition into next segment of the release.
• SOURCE OF MENACE is characterized by wide, lush synths playing in the intro and bridge between drops. The track focuses on intense barrage of techstep drums, accompanied by retro rave stabs. Short and straight to the point.
• FLOODWATERS slows down to 140 BPM and explores the world of dubstep. With this track, I show my appreciation to one of the genres that inspired me the most.
• BROKEN BONDS is bright and relaxing piece meant to contrast with rest of the album. I took inspiration from various atmospheric jungle releases and sprinkled this project with a bit more melodic content than I usually do.
• WOUNDING WORDS - another trip-hop piece and a continuation of the moody concept from the intro, utilizing slightly different set of instruments.

Bleak Dawn

Cultist VIP

Anjanath

Still Life

Regression

Source Of Menace

Floodwaters

Broken Bonds

Wounding Words

Garden Of Eyes

"Garden Of Eyes" is another massive leap on Offish's musical journey. Once again, he takes plunge into darker and more harsh territory but balances the emotions with more atmospheric tracks.

• PAREIDOLIA is the tendency to perceive a specific, often meaningful image in a random or ambiguous visual pattern. The vocal sample comes from Neuromancer audiobook originally written by William Gibson.
• GARDEN OF EYES is the highlight of this album, a nudge towards dark drum & bass from early 00s. It's characterised by constant jungle-esque break switches, one of my most favourite techniques.
• GLASS SHANK delves in the realm of carefully layered halftime drums and continuous evolution of the rhythm - aided by rich ambiance sampled from various sources and hazy muted guitar progressions.
• IRREVERSIBLE is my second delve in jungle genre on the album, even more broken with sharper midrange basses all over the place and sudden switchups.
• TEETH NECKLACE is my attempt to capture feeling of getting lost in a dense rainforest in a short, vivid piece of music. The vocal sample comes from Solaris audiobook, originally written by Stanisław Lem.
• VILE VIP - originally released in 2019 on KRYTIKA Productions, I consider this track one of my most succesful - it played the key role in finding my own sound.
• OUT OF BOUNDS - glitched breaks meet vibrant, diverse percussion rhythms - overall, the track refines my signature style many of you came here for.
• NOCTURNAL VIP - rearranged version of track I released on Soul Ex Machina's compilation last year. I wanted to give it more spotlight with denser, more accented drums and bassline as well as a refined mixdown.
• ASSUME THE WORST demonstrates my fascination with dub music, featuring a lot of genre's characteristic elements.
• THE STRUGGLES WE'RE FACING soothes the emotions with distant, mellow pads and serves as farewell to the listener after listening to all previous tracks on the album. 

"Garden Of Eyes" is another massive leap on Offish's musical journey. Once again, he takes plunge into darker and more harsh territory but balances the emotions with more atmospheric tracks.
• PAREIDOLIA is the tendency to perceive a specific, often meaningful image in a random or ambiguous visual pattern. The vocal sample comes from Neuromancer audiobook originally written by William Gibson.
• GARDEN OF EYES is the highlight of this album, a nudge towards dark drum &amp; bass from early 00s. It's characterised by constant jungle-esque break switches, one of my most favourite techniques.
• GLASS SHANK delves in the realm of carefully layered halftime drums and continuous evolution of the rhythm - aided by rich ambiance sampled from various sources and hazy muted guitar progressions.
• IRREVERSIBLE is my second delve in jungle genre on the album, even more broken with sharper midrange basses all over the place and sudden switchups.
• TEETH NECKLACE is my attempt to capture feeling of getting lost in a dense rainforest in a short, vivid piece of music. The vocal sample comes from Solaris audiobook, originally written by Stanisław Lem.
• VILE VIP - originally released in 2019 on KRYTIKA Productions, I consider this track one of my most succesful - it played the key role in finding my own sound.
• OUT OF BOUNDS - glitched breaks meet vibrant, diverse percussion rhythms - overall, the track refines my signature style many of you came here for.
• NOCTURNAL VIP - rearranged version of track I released on Soul Ex Machina's compilation last year. I wanted to give it more spotlight with denser, more accented drums and bassline as well as a refined mixdown.
• ASSUME THE WORST demonstrates my fascination with dub music, featuring a lot of genre's characteristic elements.
• THE STRUGGLES WE'RE FACING soothes the emotions with distant, mellow pads and serves as farewell to the listener after listening to all previous tracks on the album.