Fapiao & Stranger in the Night - Sample Pack EP

SIN / Stranger In The Night

The two Berlin and China-based producers teamed up for a collaboration EP in between some continent hopping and spent five Saturday afternoons with cakes, coffee, and friends in a Kreuzberg bedroom studio. Initially unsure of where to begin (due to the distraction of the delicious cakes), they decided to extract vocals from a selection of their all-time favorite movies to use as a foundation. And a foundation it became!

Instead of solely relying on the vocals, they crafted every single sound in these tracks using snippets from movie trailers found on YouTube - including pads, chords, noise, hi-hats, claps, kicks, bass, and yes, even the vocals themselves. The resulting musical and sonic outcome surprised both of them.

Furthermore, in defiance of accepted norms in music production, they used 192kbit YouTube 'quality' material as the audio source for each track. Dear listener, we leave it to you to decide: Does one truly require high-quality source material to create well-sounding music? Or, for that matter, great tracks?

The two Berlin and China-based producers teamed up for a collaboration EP in between some continent hopping and spent five Saturday afternoons with cakes, coffee, and friends in a Kreuzberg bedroom studio. Initially unsure of where to begin (due to the distraction of the delicious cakes), they decided to extract vocals from a selection of their all-time favorite movies to use as a foundation. And a foundation it became!
Instead of solely relying on the vocals, they crafted every single sound in these tracks using snippets from movie trailers found on YouTube - including pads, chords, noise, hi-hats, claps, kicks, bass, and yes, even the vocals themselves. The resulting musical and sonic outcome surprised both of them.
Furthermore, in defiance of accepted norms in music production, they used 192kbit YouTube 'quality' material as the audio source for each track. Dear listener, we leave it to you to decide: Does one truly require high-quality source material to create well-sounding music? Or, for that matter, great tracks?

Fapiao & Stranger in the Night - Sample Pack EP by SIN / Stranger In The Night

Enter the Void (Original Mix)

Enter the Void by SIN / Stranger In The Night

Enter the Void

Empire (Original Mix)

Empire

World on a Wire (Original Mix)

World on a Wire by SIN / Stranger In The Night

World on a Wire

Pi (Original Mix)

Alien (Original Mix)

Alien

Musik der Zeit

Was 1951 the actual birth year of electronic music? And if so, of which one? The experimental techno album ‚Musik der Zeit‘ by SIN / Stranger In The Night is exploring these questions. It is based on the early work of the ‚Studio für elektronische Musik des WDR‘ (The Studio for Electronic Music of the West German Radio), which was founded in that year - the first of its kind in the world.

With ‚Musik der Zeit‘, SIN / Stranger In The Night has put the ideas, methods and techniques of the earliest days of pure and radical electronic music into a techno context.  The album returns to the past to explore future manifestations of electronic (dance) music, where not instruments and their specific sound characteristics (303, 909, ARP Odyssey, Korg MS-20...) determine the results, but ideas. Self-confident as always, Stockhausen summed it up in his British Lectures: "New methods change the experience".

80% of the sounds used on the album originate from sound generators used in the WDR studio, including the drums. The remaining 20ish % are samples, which are then manipulated in a contemporary DAW context. Serial composition techniques based on number matrices were applied to the sequence of single notes and patterns. Of course, aleatoric techniques, which were undesirable at the time as well as repetition, which is not only unavoidable in techno but its very foundation, have also left their mark on the tracks. Despite the rigorous ‚serial’ methods used, it was less a matter of rebuilding, than of re-experimenting something that extremely broadened the sound horizon. The individual tracks are therefore not so much separate units, but rather different plateaus of a unified album concept which can be experienced in the 'Stream of Consciousness Mix (no. 10). It is here, that the straightforward sequenced patterns of contemporary dance rituals are rewound to a place of more intricate movement, conceived in a universe which was recorded on tape long since decayed.

Was 1951 the actual birth year of electronic music? And if so, of which one? The experimental techno album ‚Musik der Zeit‘ by SIN / Stranger In The Night is exploring these questions. It is based on the early work of the ‚Studio für elektronische Musik des WDR‘ (The Studio for Electronic Music of the West German Radio), which was founded in that year - the first of its kind in the world.
With ‚Musik der Zeit‘, SIN / Stranger In The Night has put the ideas, methods and techniques of the earliest days of pure and radical electronic music into a techno context. The album returns to the past to explore future manifestations of electronic (dance) music, where not instruments and their specific sound characteristics (303, 909, ARP Odyssey, Korg MS-20...) determine the results, but ideas. Self-confident as always, Stockhausen summed it up in his British Lectures: "New methods change the experience".
80% of the sounds used on the album originate from sound generators used in the WDR studio, including the drums. The remaining 20ish % are samples, which are then manipulated in a contemporary DAW context. Serial composition techniques based on number matrices were applied to the sequence of single notes and patterns. Of course, aleatoric techniques, which were undesirable at the time as well as repetition, which is not only unavoidable in techno but its very foundation, have also left their mark on the tracks. Despite the rigorous ‚serial’ methods used, it was less a matter of rebuilding, than of re-experimenting something that extremely broadened the sound horizon. The individual tracks are therefore not so much separate units, but rather different plateaus of a unified album concept which can be experienced in the 'Stream of Consciousness Mix (no. 10). It is here, that the straightforward sequenced patterns of contemporary dance rituals are rewound to a place of more intricate movement, conceived in a universe which was recorded on tape long since decayed.

Musik der Zeit by SIN / Stranger In The Night

S(f)m (Original Mix)

S(f)m

Barbican, blooming (Remix)

Barbican, blooming(Remix) by SIN / Stranger In The Night

Barbican, blooming

X 7 3 hcnYl (Original Mix)

X 7 3 hcnYl by SIN / Stranger In The Night

X 7 3 hcnYl

Gagarinos Neue Musik (feat. Jueri Gagarino)

Gagarinos Neue Musik(feat. Jueri Gagarino) by SIN / Stranger In The Night

Gagarinos Neue Musik

reGular-IrregulAr (Original Mix)

reGular-IrregulAr by SIN / Stranger In The Night

reGular-IrregulAr

Xi polyvalent Pinks (Original Mix)

Xi polyvalent Pinks by SIN / Stranger In The Night

Xi polyvalent Pinks

Change_Schichten (Original Mix)

Change_Schichten by SIN / Stranger In The Night

Change_Schichten

Klavierstück XX (Original Mix)

Klavierstück XX by SIN / Stranger In The Night

Klavierstück XX

Coldwaves (Original Mix)

Coldwaves

Musik der Zeit (Stream of Conciousness Album  Mix)

Musik der Zeit(Stream of Conciousness Album  Mix) by SIN / Stranger In The Night